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Days of Sand
Days of Sand
Knygos.lt klubas Knygos.lt nariams
25,68 €
-30%
Įprastai
36,69 €
  • Išsiųsime per 12–18 d.d.
A moving and unforgettable tale, inspired by real-life stories of courage and perseverance during the Dust Bowl of 1930s AmericaUnited States, 1937. In the middle of the Great Depression, 22-year-old photographer John Clark is brought in by the Farm Security Administration to document the calamitous conditions of the Dust Bowl in the central and southern states, in order to bring the farmers' plight to the public eye. When he starts working through his shooting script, however, he finds his sub…
  • Leidėjas:
  • ISBN-10: 1914224043
  • ISBN-13: 9781914224041
  • Formatas: 19.9 x 26.8 x 3 cm, kieti viršeliai
  • Kalba: Anglų

Days of Sand (el. knyga) (skaityta knyga) | Aimée de Jongh | knygos.lt

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A moving and unforgettable tale, inspired by real-life stories of courage and perseverance during the Dust Bowl of 1930s AmericaUnited States, 1937. In the middle of the Great Depression, 22-year-old photographer John Clark is brought in by the Farm Security Administration to document the calamitous conditions of the Dust Bowl in the central and southern states, in order to bring the farmers' plight to the public eye. When he starts working through his shooting script, however, he finds his subjects to be unreceptive. What good are a couple of photos against relentless and deadly dust storms? The more he shoots, the more John discovers the awful extent of their struggles, and comes to question his own role and responsibilities in this tragedy sweeping through the center of the country.
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  • Autorius: Aimée de Jongh
  • Leidėjas:
  • ISBN-10: 1914224043
  • ISBN-13: 9781914224041
  • Formatas: 19.9 x 26.8 x 3 cm, kieti viršeliai
  • Kalba: Anglų

A moving and unforgettable tale, inspired by real-life stories of courage and perseverance during the Dust Bowl of 1930s AmericaUnited States, 1937. In the middle of the Great Depression, 22-year-old photographer John Clark is brought in by the Farm Security Administration to document the calamitous conditions of the Dust Bowl in the central and southern states, in order to bring the farmers' plight to the public eye. When he starts working through his shooting script, however, he finds his subjects to be unreceptive. What good are a couple of photos against relentless and deadly dust storms? The more he shoots, the more John discovers the awful extent of their struggles, and comes to question his own role and responsibilities in this tragedy sweeping through the center of the country.

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